While Our Man is stripped of the kind of hope he’d always known, the director, JC Chandor, never lets us escape beauty. His shots of the stillness, and expanse of the ocean, his gift of the silence of Our Man’s solitude—unspoiled by dramatic music or inner monologue—give even this disaster a resonant grandeur. The most affecting reminders of goodness come when Chandor shoots the raft from below, finding tiny fish and other sea creatures gathered in the sanctuary of Our Man’s raft. The images are electric, jolts of life in stark contrast to the endless austerity Our Man sees to the horizon. Even this ocean, harsh to a man, nurtures any life willing to depend on its provenance, built to receive it (which Our Man is not. His free will has lead him beyond the grace he was built to bear).
This excerpt is taken from All Must Be Lost or How to Live When Lost at Sea, a reflection on the 2013 film starring Robert Redford and a most unfortunate boat.